Sunday, April 10, 2016

Baseball and Hand Sewing!

I'm so glad that baseball is back.  Thanks to a few Grapefruit League games in March and now for the next 160 games, I'm set.  Part of this past time is hand sewing.  Most of my quilts made over the last 13 years have been hand quilted.  While I'm not doing the hand quilting as much, appliqué and a few smaller projects might be in order.

The table runner shown is a kit from Connecting Threads.  From the picture in the catalog, I thought it was's all appliquéd!.  It was really fun to figure out and put together.  The ends that resemble a citrus slice will make great placemats!  The stars in at the main part required going to an office supply store and enlarge the star 200 times!  Yes, that is huge.  It may not look like it finished, but  200x is big.  The fabric on the back is just fun!  It doesn't have any teal in it, but it really goes well.

Making another set in a completely different scheme will be fun for the summer while watching my Tigers!

Saturday, April 9, 2016

A Bee in the Attic is coming....

My friend Caroll D and I are starting a contemporary bee at the Attic Window.  We've been busy testing patterns as we've had to break them down to a block rather a whole quilt pattern.  We had fun at the Modern Bee at Stitched Studio this past year.  We will doing a completely different book and a bit differently.  Caroll posted this flyer on her blog earlier and at the store.

Come and join us for a fun hour or more on the fourth Wednesday of the month.

Here are some of the pictures from our last meeting in March and prior.  At our Bee in the Attic the queens will choose the pattern and give us instructions on color, fabric, seams or whatever.  She will pass on the decisions to the worker bees that she would normally make making the blocks.

Can you believe the top quilt and the lower example are the exact same pattern!  That's how the Bee in the Attic will work.  The queens for these months chose the schemes for us.

 This queen gave us the teal with metallic fabric as well as the graphic fabric that looks like a wrist watch face.  We were also instructed to use white-white for the background.
 Queen Kelly gave us the squiggle, connecting squares and the grays.  The block goes from gray corner to corner.  Again, the upper and lower quilts are the same pattern, but the queens had different goals.

Friday, April 8, 2016

It's Done!

While the time between the time I ordered the pattern and made this quilt is quite short, less than a year, it was quilt a challenge and for some reason exciting.  It measures 80" square and it's quite  striking.  Several weeks ago I previewed it on Instagram.  My tease is to show a few blocks at a time just to talk about the process.

Hint #1:  It's very modern

This block is comprised of four paper pieced squares that measure 9 1/2" each.  While the picture makes the dark strips look black, they're really navy blue.  At first my reaction questioned  why paper piece such large stripes, it really is a good idea.  What the instructions lacked in cutting one set of block-fabric placements, the uniformity of the stripes calls to PP.  The pattern also suggested that stitching around the inside edge about 1/4" to prevent stretching.  Yes, definitely do this aide when paper piecing, but 1/8th of an inch is much better in case the joining seams drift, as mine did.  I had to pick black thread out of the beige stripes.

Hint #2:  The Honorees in the quilt name have West Michigan connections.

Hint #3:  They set out in the 1940's to impact lives and they certainly have through their architecture, textiles, furniture, books and films.
This block is four very large Drunkard's Path blocks.  Each quarter section is a 9 1/2" block.  In the picture below you can see the other sections used.  Also, the picture below highlights the striped Drunkard's Path.  Again very large, each quarter  again measures 9 1/2" .  As many of you may already know I'm not quite obsessed, but close,  in wanting to conquer sewing curves.  My state of mind was very relaxed when I did most of these curves, all from freezer paper templates.  I held my breath during the sewing and thought pleasant thoughts.  All in all, these blocks came together fairly well -  for me.
The flying geese, the black with beige above, is resultant of 12" half square triangles.  HTS's and FG drive me nuts!  Making these huge samples were actually fun, but the same bad habits can still follow.  Once making several navy/beige striped squares a few of them had to be sliced diagonally....oh another breath holding event to prevent stretching.
Above are two FG's or four HST's - pick your pleasure.

Mix and match any and all patterns define this pattern.  By now I'm sure you've guessed the impact of  Ray and Charles Eames on design.  Yes, this quilt is named the Eames.

Apparently this pattern was the give-away gift to those quilters who attended the Modern Quilt Guild convention last year.  After thinking I ordered it and never receiving it I began looking on-line for it.  Luckily, the guild sells it.  You can buy it here for $10.  While checking the links for this post I was struck again by the quilt and how it changes by how close or how far away it's viewed.

If you should decide to purchase or do the pattern watch out for a couple things.  The pattern calls for  beige binding.  I did not have enough after cutting all the curved pieces and stripes.  Not wanting to buy more material the black on hand was a perfect match and doesn't yellow the white on the back.  I like the black.
If you've never done curves, these large blocks might be a way to start.  Stretching will always be an careful!  The pressing of the seams on curves can be tricky, but becomes really tricky with solids and light colors.  I found myself re-pressing the blue/beige combinations into the blue after the initial pressing. The seams leaned towards the beige.  When assembled, the seam on the beige darkened more than anticipated.

Another hint was mentioned above during the paper piecing discussion - only sew an 1/8th of an inch from the edges.

Again, I devised a QAYG method to work with this pattern.

Several years ago I began purchasing batting on the roll.  My previous roll was light weight, a bit too light weight.  In November I re-ordered a heavier batting - way too heavy for this quilt - it weighs about 5 pounds!  It will be warm!  If we don't spring soon, it'll be on my bed!

Oh, by the way, these clips were wonderful for this quilt!  It's a very thick quilt, even if lighter weight batting is used.  Pins wouldn't work as well holding seams together during the QAYG process or while attaching the binding.  I'm so sold on these little jobs...wasn't poked once!  😃